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・ Krzysztof Szubarga
・ Krzysztof Szwagrzyk
・ Krzysztof Szydłowiecki
・ Krzysztof Szyga
・ Krzysztof Tchórzewski
・ Krzysztof Trybusiewicz
・ Krzysztof Ulatowski
・ Krzysztof Urbanski
・ Krzysztof Warlikowski
・ Krzysztof Warzycha
・ Krzysztof Wielicki
・ Krzysztof Wierzbowski
・ Krzysztof Wiesiołowski
・ Krzysztof Wilmanski
・ Krzysztof Wiłkomirski
Krzysztof Wodiczko
・ Krzysztof Wojdan
・ Krzysztof Wołczek
・ Krzysztof Wybieralski
・ Krzysztof Wójcik
・ Krzysztof Wójcik (politician)
・ Krzysztof Wójcik (volleyball)
・ Krzysztof Węglarz
・ Krzysztof Włodarczyk
・ Krzysztof Zaleski
・ Krzysztof Zalewski
・ Krzysztof Zanussi
・ Krzysztof Zaremba
・ Krzysztof Zbaraski
・ Krzysztof Zborowski


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Krzysztof Wodiczko : ウィキペディア英語版
Krzysztof Wodiczko

Krzysztof Wodiczko (born April 16, 1943) is an artist renowned for his large-scale slide and video projections on architectural facades and monuments. He has realized more than 80 such public projections in Australia, Austria, Canada, England, Germany, Holland, Ireland, Israel, Italy, Japan, Mexico, Poland, Spain, Switzerland, and the United States.
War, conflict, trauma, memory, and communication in the public sphere are some of the major themes of an oeuvre that spans four decades. His practice, known as Interrogative Design, combines art and technology as a critical design practice in order to highlight marginal social communities and add legitimacy to cultural issues that are often given little design attention.〔Interrogative Design Group, http://interrogative.mit.edu/about/.〕
He lives and works in New York City and teaches in Cambridge, Massachusetts, where he is currently professor in residence of art and the public domain for the Harvard Graduate School of Design (GSD). Wodiczko was formerly director of the Interrogative Design Group at the Massachusetts Institute of Technology (MIT) where he was a professor in the Visual Arts Program since 1991. He also teaches as Visiting Professor in the Psychology Department at the Warsaw School of Social Psychology.
==Early life==
Krzysztof Wodiczko, son of Polish orchestra conductor Bohdan Wodiczko,〔Douglas Crimp, Rosalyn Deutsche, Ewa Lajer-Burcharth, Krzysztof Wodiczko, “A Conversation with Krzyzstof Wodiczko” in ''October'' 38 (Autumn 1986): 36.〕 was born in 1943 during the Warsaw Ghetto uprising and grew up in post-war, Soviet-occupied Poland. In 1967 while still a student at the Academy of Fine Arts in Warsaw, he began collaborating with director Jozef Patkowski and the Experimental Studio on sound performances. He graduated in 1968 with an M.F.A. degree in industrial design and worked for the next two years at UNITRA, Warsaw, designing popular electronic products. From 1970 until his emigration to Canada in 1977, he designed professional optical, mechanical, and electronic instruments at the Polish Optical Works.〔“Biography” in Krzysztof Wodiczko, ''Wodiczko'' (De Appel Amsterdam, 1996), 76. (Most biographical information for “Early life” comes from the biographical data in this catalog.)〕
In 1969, Wodiczko collaborated with Andrzej Dluzniewski and Wojchiech Wybieralski on a design proposal for a memorial to victims of Majdanek concentration camp in Poland. He also performed with ''Personal Instrument'' in the streets of Warsaw and participated in the ''Biennale de Paris'' as a leader of a group architectural project. He was a teaching assistant for two years, 1969–70, in the Basic Design Program at the Academy of Fine Arts before moving to the Warsaw Polytechnic Institute, where he taught until 1976. Throughout the 1970s he continued his collaborations on sound and music performances with various musicians and artists.
In 1971, Wodiczko began work on ''Vehicle'', which he tested the following year on the streets of Warsaw. In 1972 he created his first solo installation: Corridor at Galeria Wspolczesna, Warsaw. The following year he began exhibiting with Galeria Foksal, Warsaw. In 1975, Wodiczko traveled for the first time to the United States where he was artist-in-residence at the University of Illinois, Urbana and exhibited at N.A.M.E. Gallery, Chicago. He participated again in the ''Biennale de Paris'', this time as a solo artist.
In 1976, Wodiczko began a two-year artist-in-residence program at the Nova Scotia College of Art and Design in Halifax, Nova Scotia, Canada. He emigrated from Poland in 1977, establishing residency in Canada teaching at the University of Guelph in Ontario, and began working with New York art dealer Hal Bromm. In 1979 he taught at the Ontario College of Art in Toronto and continued teaching at the Nova Scotia College of Art and Design until 1981. From 1981-1982 he was artist in residence at the South Australian School of Art (currently part of the University of South Australia in Adelaide). In 1983, Wodiczko established residency in New York City teaching at the New York Institute of Technology, Old Westbury. The following year, he received Canadian citizenship and in 1986 resident-alien status in the United States. He began teaching at MIT in 1991, maintaining his residence in New York City while working in Cambridge, Massachusetts.

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